Theatres, Actors and Acting in Shakespeare's Time (WEEK4)

QUESTION: What were the theatres or ‘playhouses’ of Shakespeare’s time like and how were plays staged in them? 

During Shakespeare's time there were two different variety's of playhouse in London, outdoor playhouses(amphitheatres) and indoor playhouses known as ‘halls’ or ‘private’ playhouses. 

Often playhouses were built by rich businessmen who where willing to invest money into these buildings, as they saw a rising popularity of the touring acting companies. All outdoor playhouses included the following features:

• A central yard that was open to the sky

• A roof over the stage, which was called ‘the heavens’, although the first Rose theatre (1587-92) may not have had one


• A tiring house behind the stage with a backstage area, where actors dressed and waited to come on. Above this were lords’ rooms, rooms for storage, and a room level with ‘the heavens’ to work the special effects from

• Galleried seating all around the yard, on several levels, which was roofed.

• A raised stage sticking out into the yard

Shows where normally put on in the afternoon to make use of the natural day light, the was very much relied on. Plays were performed in repertory, so the same play was never performed two days in a row. This also meant that actors would often be performing and playing many different characters in multiple shows all at one time, with very few rehearsals.

The Red Lion was built in 1567 by John Brayneand was the first playhouse to be built. This was originally an Inn, located in Stepney, outside the city walls. Although there is very little evidence as to weather this establishment was successful, what is clear it must have brought in some interest. As between the 1570's and the 1620's there where many more playhouses built all around the country.


Although there was a lot of attention around Playhouses and they drew in big audiences, not all of this attention was positive. The officials who ran the City of London thought that playhouses were disruptive, and where enticing for unwanted criminal behaviour. So people decided to build playhouses outside the city walls, where there wasn't the control of city officials.


QUESTION: Who were the actors of Shakespeare’s plays and how did the experience of being an actor differ from the experience today?


In Shakespeare’s time acting was an occupation only to be practised by boys and men, and although women were acting other places in Europe at the time, it wasn't until 1660 that women where allowed to perform in public theatres in England.So because of this, boys would play the female parts and occasionally men would play the older female characters.

It was common for actors to began their careers at a young age. They could take up apprenticeships at companies and be taught by the senior actors. It was expected for them to acquire skills in a verity of subjects, such as sword fight, singing, dance, as well as having a good memory for learning lines.

Character Research

For our production of Loves Labours Lost I have been cast in the role of Dumaine, a lord at the King of Navarre's court.  Alongside Longaville and Berowne (the two other lords), I have sworn an oath of scholarship to the King.With this attempting to withhold from the company women, in a three year bid to study and fast. However the presence of the Princess of France and her lady's, has lead them astray, as they begin to question there loyalty's.

Our adaptation of this play is to be based in a 40's all men's private members club, similar to that of an American fraternity house or Oxford University's Bullingdon Club. 
An establishment that is not welcoming of women and is strictly for male members only. 

Being the youngest of the four, Dumaines age clearly shows. Although handsome and kind natured, he is not the brightest of the bunch, often displaying his immaturity. He is a terribly poor poet, constantly attempting to be romantic, in hope of wooing his love Katharine. Also when given the opportunity, he enjoys having the chance to mock and laugh at the extent of the Nine Worthies and his fellow lord Berowne.



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Shakespeare's London and Elizabethan Audiences (WEEK3)

Theatre had a lot of controversy surrounding it during the Elizabethan era, with many believing it to be indecent and subversive. At this time in history, theatre was something only to be attend by the wealthiest and high class figures of society.

London was home to the first permanent playhouse in the country, as previously to that plays were performed in the courtyards of inns. London was also home to royalty and much of the nobility. Many rich noblemen became great supporters and beneficial figures in providing financial and legal support to theatre companies. Royalty also supported the theatre. Between 1603 and 1613 producing work by Shakespeare’s company at the court of King James around 15 times per year. By 1600, London’s theatre-goers numbered 20,000 per week. 

Shakespeare was a playwright for the Globe Theatre during Elizabeth's reign, living and working in London from about 1590 to about 1613. While in London he lived in numerous locations, including St Helens, Silver Street and Paris Gardens in south london.